Applications

Recording Studio and Podcast Room Treatment with Acoustic Panels

Thin panels will not fix a small room's bass. Here is what they do fix, and where to spend the rest of the budget.

The small-room problem nobody warns you about

Small rooms have a bass problem and a reflection problem, and they need different solutions. A 9 or 12mm panel absorbs well above roughly 250 Hz. Below that, its performance falls away sharply, because low-frequency sound needs physical depth and an air gap to lose energy. So a wall of thin panels will clean up the flutter echo and make speech sound tight, while a 90 Hz room mode keeps booming underneath. That is normal, not a defective product.

Step 1: find the first reflection points

Sit in the mixing or speaking position. Have someone slide a mirror along the side wall - wherever you can see a monitor or the speaker's mouth in the mirror is a first reflection point. Treat those before the rest of the wall. On a typical project desk you will find three or four: left wall, right wall, ceiling above the desk, and the wall behind you.

Step 2: coverage plan for a 3 x 4 m room

Step 3: bass, honestly

You have three options. Buy genuinely thick absorber (100mm or more) and put it across corners. Add purpose-built bass traps. Or accept the limitation and use headphones for critical low-frequency decisions, treating the room for everything above 250 Hz. Option three is what most home studios actually do, and it is a perfectly professional choice.

Step 4: voice-over and podcast booths

For spoken word, absorption is almost the whole job, and you want it high and even: NRC 0.85 to 0.95 on all surfaces. The trap is over-treating. A fully dead booth sounds unnatural on a podcast and makes presenters push their voice. Leave one surface lightly reflective, or include a slat panel, and compare - see wood slat vs polyester panels for how each behaves.

Shopping list for a 3 x 4 m podcast room

  1. 10 x PET felt panels, 600 x 1200 x 12mm.
  2. 4 x 100mm corner absorbers, floor to ceiling.
  3. 1 x wood slat panel for the rear wall if the room feels dead.
  4. Battens to hold panels 20 to 30mm off the wall.
  5. A thick rug, and something soft on the desk - hard desks reflect straight up into the microphone.

Not sure how the numbers apply to your room? Send us the dimensions and we will mark up a layout. Request a studio quote, or start with what NRC actually tells you.

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